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©2019 Diode Editions

Jehanne Dubrow

Cedric Terrell, Photographer

Jehanne Dubrow is the author of six books of poetry, including most recently Dots & Dashes, winner of the Crab Orchard Series in Poetry Open Competition Award (Southern Illinois University Press, 2017). Her previous books are The Arranged Marriage (University of New Mexico Press, 2015), Red Army Red (Northwestern University Press, 2012), Stateside (Northwestern University Press, 2010), From the Fever-World (WWPH, 2010), and The Hardship Post (three candles press, 2009, Sundress Publications, 2013). She has co-edited two anthologies, The Book of Scented Things: 100 Contemporary Poems about Perfume (Literary House Press, 2016) and Still Life with Poem: Contemporary Natures Mortes in Verse (Literary House Press, 2014). Her first book of creative nonfiction, throughsmoke: an essay in notes, will be published by New Rivers Press in 2019. And her seventh poetry collection, American Samizdat, was one of the winners of the Diode Editions Book Contest and will be published in 2019.


Jehanne’s poetry, nonfiction, and book reviews have appeared in Southern Review, Pleiades, The New York Times Magazine, Southwest Review, The New England Review, as well as on Poetry Daily, Verse Daily, and American Life in Poetry. She earned a B.A. in the “Great Books” from St. John’s College, an MFA from the University of Maryland, and a PhD from the University of Nebraska-Lincoln. She has been a recipient of the Alice Fay Di Castagnola Award, the Adrienne Rich Award for Poetry, the Towson University Prize for Literature, an Individual Artist’s Award from the Maryland State Arts Council, a Walter E. Dakin Fellowship and a Howard Nemerov from the Sewanee Writers’ Conference, and a Sosland Foundation Fellowship from the Center for Advanced Holocaust Studies.


The daughter of American diplomats, Jehanne was born in Italy and grew up in Yugoslavia, Zaire, Poland, Belgium, Austria, and the United States. She lives in Denton with her Bedlington Terrier, Lola, and occasionally with her husband, Jeremy, who is a career military officer. Jehanne is an Associate Professor of creative writing at the University of North Texas.

Further Reading

Jehanne’s poems have recently been published or are forthcoming in Beloit Poetry Journal, Bennington Review, Birmingham Poetry Review, Cimarron Review, Evansville Review, Love’s Executive Order, North American Review, Shenandoah, and American Life in Poetry.

Press

Interviews & Features




Awards & Honors



  • Crab Orchard Series in Poetry Open Competition Award for Dots & Dashes (Southern Illinois University Press, 2017)


  • 2012 Alice Fay Di Castagnola Award


  • Towson University Prize for Literature for Stateside


  • 2011 Individual Artist’s Award from the Maryland State Arts Council


  • Walter E. Dakin Fellowship


  • Howard Nemerov Poetry Scholarship from the Sewanee Writers' Conference


  • Sosland Foundation Fellowship from the Jack, Joseph and Morton Mandel Center for Advanced Holocaust Studies at the U.S. Holocaust Memorial Museum

Upcoming Events

Books

American Samizdat

“Numbness is another way / of turning off the news,” Jehanne Dubrow writes in her deeply moving, terrifying, and necessary new collection, American Samizdat. In this brilliant, book-length series, Dubrow somehow gets at the root of our collective anxiety in a disintegrating America where meaning is merely “the last pink light / that glows above a fence” and “[a]n alternative to fact is vertigo, / the floor rising up to strike my face.” American Samizdat will last as a marker of early 21st century America, a “nation terrified,” a nation fed by technology and led by a mad man. “I remember,” Dubrow writes, “when threats // were given colors, red severe, / orange that the risk was high. // Now there is no chart.”

Allison Benis White


To say that Jehanne Dubrow's American Samizdat is a brilliant book would be to say the truth. But what does it mean? It means that we hold in our hands a book that combines lyricism with a sweep of a large historical vision. It means that strangeness of language here wakes us even if we put "stoppers in our ears" because even silence for this poet is a musical instrument. It means that in the couplets of this book clarity arises and the reader in America, the country that denies its own history, sees that "point of Cassandra / is we struggle to stare directly at the light, its naked blaze." Indeed. For me, Dubrow's brilliant book-long poem succeeds because it provides a myth for our time, a fable. How does she do it? "To make a fable of this time, / I will say we were governed by a bird / who pecked decrees in the ground. Our park was a chaos of squawking." Welcome to American Samizdat, dear reader. Behold the 21st century world.

Ilya Kaminsky


American Samizdat emerges slowly. It emerges like an animal emerging from a fog so absolute it could be mistaken for a wall. It emerges like that same animal erupting into consciousness as it clears the fog—an evolutionary leap!—only to discover that the fog was internal. The animal, a creature that already knows the world, must also discover the world: “For a time, I missed the sharing / as it’s known, the communal // passing around of news, small bites / I used to take of other lives.” In American Samizdat, we discover our world.

Shane McCrae

American Samizdat

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