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Natasha Sajé, author of the forthcoming chapbook Special Delivery, shares her current reading list.


This past week, I read Astrid Alben’s Plainspeak, Emma Bolden’s House is an Enigma, Nikky Finney’s Hotbeds, Fiona Sze-Lorrain’s Rain in Plural.



In the past month I taught Shara McCallum’s Madwoman and Laurie Ann Guerrero’s A Tongue in the Mouth of Dying.


I’ve been re-reading Larry Levis’s books, and Frank O’Hara’s Lunch Poems. They don’t feel dated, despite the fact that they are anchored in time and place. I appreciate poems that are formally excellent and intellectually adventurous. I’ve written an essay arguing that punctuation can—and perhaps should—be extraneous in poems.





Special Delivery holds a variety of poetic forms, missives to which the speaker doesn’t expect a reply. The addressees—including the Phaistos disk, Caitlyn Jenner, and the wind—cannot or will not answer, but the reader is invited to take their place. Gender, sexual orientation, and the environment provide contexts for epistemological questions that pepper these poems of longing and wonder, of pique and wit.


Natasha Sajé is the author of three books of poems including Vivarium (Tupelo, 2014); a postmodern poetry handbook (Windows and Doors: A Poet Reads Literary Theory, Michigan, 2014); and a memoir-in-essays, Terroir: Love, Out of Place (Trinity UP, 2020). She teaches at Westminster College in Salt Lake City and in the Vermont College of Fine Arts MFA in Writing Program.

Shanta Lee Gander, author of the forthcoming debut full-length collection Ghettoclaustrophobia: Dreamin of Mama While Trying to Speak Woman in Woke Tongues, shares her current reading list.


Right now, [I'm reading] so many good things. I am ingesting The Dawning Moon of the Mind: Unlocking the Pyramid Texts by Susan Brind Morrow. It is not only an amazing book but it was suggested to me my dear friend for the fact that it is among our earliest poetry.




Jorge Luis Borges’s Collected Fictions translated by Andrew Hurley is an ongoing read and is there anything more to say about the way Borges twists or bends a story in such magical and thrilling ways?



I have been digging in the salt mines in terms of continued thinking and research as it relates to the topic of the critical thesis I completed this past spring, which was focused on how memory is connected and transferred within the African American and African Diaspora when it has been lost, stolen, or displaced. This has taken me to all sorts of places for my poetry, and learning, which includes an ongoing visitation with books like Harold Scheub’s A Dictionary of African Mythology: The Mythmaker as Storyteller.



A friend recently suggested yet another good piece of reading, Neil Gaiman’s Sandman series. I have always flirted with Neil Gaiman’s work, but what drew me into this series is the idea of Dream, or Metamorphosis being captured and held captive. There are so many layers of mythology, pop culture, literature, and many other things. It's not surprising, given that a number of both graphic novels and comics pull quite a well, especially relating to mythology.





“This time, I teach myself to say gimme. This time,
I am fluent in No. Mines. You can’t have.”

from "Lessons in Development from a Butterfly"


What does it mean to move away from the shadow of one’s mother, parents, or family in order to to come into being within this world? As collective memory within the Black diaspora is lost, stolen, and forgotten, GHETTOCLAUSTROPHOBIA time travels by creating and recapturing memory from an unknown past in order to survive in the present and envision a future. In her first full-length collection GHETTOCLAUSTROPHOBIA: Dreamin of Mama While Trying to Speak Woman in Woke Tongues, Shanta Lee Gander navigates between formal and vernacular styles to introduce the reader to a myriad of subjects such as scientific facts that link butterflies to female sexuality and vulnerability; whispers of classical Greek myth; H.P. Lovecraft’s fantastical creature, Cthulhu; and the traces of African mythmaking and telling. Beneath the intensity, longing, seeking, wondering, and the ‘tell-it-like-it-is’ voice that sometimes tussles with sadness, there is a movement of sass and a will that refuses to say that it has been broken. Gander leaves a door ajar in this ongoing conversation of the Black female body that walks the spaces of the individual within a collective; the tensions between inherited and hidden narratives; and the present within a history and future that is still being imagined.



Shanta Lee Gander is an artist and multi-faceted professional in leadership, marketing, management, and a range of other areas. As an artist, her endeavors include photography, writing prose, poetry, investigative journalism, and photography. Shanta Lee's prose has been incorporated into her former weekly radio segments, Ponder This, on 100.3 FM/1490 AM WKVT. Her poetry, prose, and personal essays have been featured in The Crisis Magazine, Rebelle Society, on the Ms. Magazine Blog, and The Commons weekly newspaper covering Windham County, VT. Shanta Lee has been recently named a recipient of the Arthur Williams Award for Meritorious Service to the Arts due to her standing in the region and dedication to the arts in Vermont. Her contributing work on an investigative journalism piece for The Commons received a New England Newspaper & Press Association (NENPA) 2019 award. She is the director of publicity and outreach of Mount Island—a small press and magazine dedicated to rural LGBTQ+ and POC voices/artists. Shanta Lee gives lectures on the life of Lucy Terry Prince—considered the first known African-American poet in English literature—as a member of the Vermont Humanities Council Speakers Bureau. 




Shanta Lee is passionate about myths, fairytales, music, history, and the often illegal abandoned places she likes to photograph. Shanta Lee is an MFA candidate in Creative Non-Fiction and Poetry at the Vermont College of Fine Arts. She has an MBA from the University of Hartford and an undergraduate degree in Women, Gender and Sexuality from Trinity College.

Does searching for the perfect holiday gift get your tinsel in a tangle? Well, look no further than Studio Two Three and give the gift of local art!


Diode Editions is participating in this year's Winter Market alongside local artisans at Studio Two Three in Scott's Addition! Come on out and browse local art, poetry, and handmade gifts!


Studio Two Three

3300 W Clay St

Richmond, VA 23230


11 AM - 5 PM

November 28th - December 24th

In non-pandemic years, Studio Two Three in Richmond, VA hosts a wild and wondrous 3 day event with tons of folks crammed in their space to buy art. This year, Studio Two Three is converting their event space into the home of the Winter Market for a full month so you can shop safely distanced and masked. The Studio Two Three Winter Market features an avalanche of artwork created by a bevy of local artists. With hundreds of works to choose from, there’s sure to be something for everyone on your gift list!


Visit the Studio Two Three website for more.

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