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©2019 Diode Editions

Nancy Chen Long

Photo Courtesy of the Author

Nancy Chen Long is the author of two books, Wider Than the Sky (Diode Editions, 2020) and Light into Bodies (University of Tampa Press, 2017), winner of the Tampa Review Prize for Poetry, as well as the chapbook Clouds as Inkblots for the War Prone (Red Bird Chapbooks, 2013). She is the grateful recipient of a National Endowment of the Arts Creative Writing Fellowship. Her work was selected as the winner of the 2019 Poetry Society of America Robert H. Winner Award and featured in Poetry Daily, Verse Daily, and Indiana Humanities. She works at Indiana University in the Research Technologies division. nancychenlong.com

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Wider than the Sky

Empathic polymath Nancy Chen Long considers wide-ranging topics—from neurology to Emily Dickinson, from the big bang to Bible stories—as she interrogates the role of memory in the formation of our narratives and of our selves. Long portrays fleeting scenes from childhood onward—scenes which momentarily shine a flickering light on life’s big topics: the links between story and belief, forgiveness and biology, society and violence, language and loss. The reader experiences this unforgettable book in the same way a memory is experienced—as incomplete images infused with emotional wholeness, images that swell and recede and leave us changed for having been momentarily immersed in the intimacy between past and present that we call memory. 

—Jessica Goodfellow


Reading Wider than the Sky is to encounter a world and a sensibility. With each poem firing as precisely as a synapse, interwoven into one shimmering neural net, Nancy Chen Long’s collection is a richly varied, acutely embodied exploration of how “our life is what our thoughts make it.” Eidetic moments, as vivid as the “star-nosed mole, / its many-fingered nose—a fan of proboscises” ground these poems where a child, finding a perfume bottle that once belonged to her grandmother, is “Suddenly…eating fruit in my memory, faint yellow slivers of stars, / juice running through my fingers.” The universality and specificity of human experience is profoundly felt in these metaphysical poems, interrogating and celebrating how being persists, “forever/home, forever foreign,” despite subjective and collective erasure—its aberrations, its genetic inheritances, its “scorched language,”—“creating/ourselves as we go.” 

—Rebecca Seiferle

Wider than the Sky

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