Dorothy Chan, author of Revenge of the Asian Woman, is a 2020 Eric Hoffer da Vinci Eye Award Finalist.
From the Eric Hoffer Awards website:
As the annual judging draws to a close, the da Vinci Eye finalists are announced prior to the Eric Hoffer Award grand prize. This small list of finalists is an honored distinction of its own and is announced publicly during the spring of each award year.
About the Author
Dorothy Chan is the author of Attack of the Fifty-Foot Centerfold (Spork Press, 2018) and the chapbook Chinatown Sonnets (New Delta Review, 2017). She was a 2014 finalist for the Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowship, and her work has appeared or is forthcoming in Academy of American Poets, The Cincinnati Review, The Common, Diode Poetry Journal, Quarterly West, and elsewhere. Chan is the Editor of The Southeast Review. Visit her website at dorothypoetry.com.
About the Collection
“Who doesn’t think kissing is the greatest thing / in the world other than eating?” Revenge of the Asian Woman comes to life on a sexed-up soap opera / B-movie platter where passion and food and fantasy reign supreme: excess in the form of full odes and triple sonnets with towers of macarons and carnival desserts and Hong Kong street food on a skewer—and make it a double.
The East Asian girl boss takes her revenge on those who have fetishized her, looking great in gold booty shorts, because “If I played roller derby, my name would be Yellow Fever, / knocking out all those white boys from college / who used to whisper sweet nothings to me // in Mandarin.” She narrates her parents’ love story, the Chinese-American immigrant dream, her eastern zodiac fate, and her own sexual awakening. Revenge comes to life with scenes that mimic the movies: the speaker’s father as a young boy in Hong Kong running into a circus tent, winning a rice eating contest; young lovers in LA at 3 in the morning; and a forehead that is “too Godzilla, too Tarzan / too Wonder Woman”—scenes of a Chinese American experience, one in which the female speaker is “ready for takeoff,” while paying homage to her heritage: a grandmother who wants to buy her all the jade and gold in the world, a younger cousin who thinks she’s had a hundred boyfriends, and a grandfather who watches Hong Kong soaps with her.
Revenge of the Asian Woman is really about “it,” whether that “it” is the It girl, the It trend, or that ineffable feeling you have in “LA, 3 AM, the wind in your hair, down to your / breasts, braless under a low-v dress, / stroking the driver who’s your lover.” This collection presents plenty of longing for those fleeting moments, regardless if those moments are the speaker’s first sexual awakening in “Ode to the First Boy Who Made Me Feel It”; the mother recounting her favorite childhood show about a family trying to reunite in “Triple Sonnet for Autoerotica”; or the nostalgia that’s presented with references to '80s teen films starring Andrew McCarthy, Liberace’s reign of Las Vegas, or “an appliance / that would deliver food from any part of the world—any part of the universe” from The Jetsons.
And with all this sex and food and longing, Revenge of the Asian Woman is above all, a fun romp. Let’s have a little Liberace-Las-Vegas-fun along the way with the glitz and glamour and kitsch of Japanese love hotels, B-movie starring Asian girls traveling to Mars, and total fantasy fulfillment as our dreams and nightmares come to life. The Asian woman conquers all, having her cake and eating it too—“Oh, cut that cake again.”
